CANTATE DOMINO GIUSEPPE PITONI PDF
Cantate Domino. By Giuseppe Ottavio Pitoni / arr. Donald Moore SSAA, a cappella Choral Octavo Item: $ Add to Cart. The original work by Giuseppe Pitoni () was a cappella, but Donald Moore has added a Cantate Domino: 3-Part Mixed Choral Octavo, $, View. Buy Cantate Domino (SATB) by Giuseppe Pitoni/ar at Choral Sheet Music. Performable by almost any choir, this is the perfect choice f.
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Please obey the copyright laws of your country. Retrieved from ” https: Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. This page was last edited on 16 Octoberat Si spense a Roma nel Cantate Domino Pitoni, Giuseppe Ottavio Genre Categories Secular cantatas ; Cantatas ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; Latin language ; For voice, lute arr ; For voices with solo instruments ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the lute ; For mixed chorus, 2 trumpets, 2 trombones, timpani, organ arr ; Scores featuring the trumpet ; Scores featuring the trombone ; Scores featuring the timpani ; Scores featuring the organ ; For chorus with solo instruments.
Because most of my Intabulations are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
Secular cantatas ; Cantatas ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; Cantatte language ; For voice, lute arr ; For voices with solo instruments ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the lute ; For mixed chorus, 2 trumpets, 2 trombones, timpani, organ arr ; Scores featuring the trumpet ; Scores featuring the trombone ; Scores featuring the timpani ; Scores featuring the organ ; For chorus with solo instruments.
In later years he moved toward more homophonic textures with polychoral elements.
From Wikipedia, the free encyclopedia. He became one of the leading musicians in Rome during the late Baroque era, the first half of the 18th century. Italian Baroque composers births deaths Italian male classical composers Italian classical composers Italian Roman Catholics People from Rieti 18th-century classical composers. Creative Commons Attribution-NonCommercial 3.
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Taken to Rome as an infant, he began vocal study with Pompeo Natali at the age of five and sang in the choir of San Giovanni dei Fiorentini from age eight. In this Synthesized performance, I replaced the voice samples with woodwinds.
At Santi Apostoli he sang and studied counterpoint with Francesco Foggiawhere his early compositions were performed.
Cantate Domino (Pitoni, Giuseppe Ottavio)
His use of stile concertato also included solo sections and concertante instrumental parts. His best known work is the Dixit Dominus a 16 in 4 choirs. Luisi Bologna, Notitia de contrapuntisti e de compositori di musica c ; ed. To modern ears and eyes these compositions may seem dull and even repetitious.
Work Title Cantate Domino Alt ernative. Cantqte Read Edit View history. In addition he held a series of prestigious positions as maestro for Basilica dei Santi ApostoliRome fromat St.
Cantate Domino: SSAA, a cappella Choral Octavo: Giuseppe Ottavio Pitoni
Intabulation in french Lute-tabulature for Sopran and g-Lute. They may not be public domain elsewhere. John Lateran fromwhere Palestrina had served from toand for the Cappella Giulia at St. In as maestro for the cathedral at Assisi he began intensive study of the works of Palestrinaand in moved to the cathedral at Rieti. He prepared a complete year of music for St.
If performed I would look forward about a small reference to my efforts.
Cantate Domino (Giuseppe Pitoni)
More information about this can be found here. These file s are part of the Werner Icking Music Collection. At the end of his life he was preparing a mass for twelve choirs, left incomplete at his death. Guida armonica … libro primo Rome, c ; ed.
He was extremely prolific, with some masses, Psalm settings and motets among the compositions listed by his pupil and biographer, Girolamo Chiti. By age sixteen he was maestro di cappella at Santa Maria Maggiore, Monterotondoa historic church near Rome.
His contributions to liturgical music in Rome were profound as composer, organist, maestro di capellawriter on music theory and pitini, and as esaminatori dei maestri for the Academy of St. Creative Commons Attribution 3. Contents 1 Performances 1.