EL VITO OBRADORS PDF
Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .
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Julie April 2, at 2: The rhythmic intensity paired with the ease and improvisatory nature of this song create an atmosphere of unpredictability.
Berganza’s performance of the Obradors could not be more dynamic, and I love the nonchalant way she presents this difficult song. Emily Obradkrs 7, at 8: The line about her being too poor is especially effective with the use of staccato. It kind of vitl not quite finished even though the way the pianist played the final chords would indicate an end. The rhythmic impulse in this piece is absolutely driving and unrelenting. I love the piano’s role with the repeated notes.
El vito – Wikipedia
The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very well to interpret the text. I enjoyed the rhythmic energy and drive of this music. On with the dancing, on with the dancing, ole! This seems like a really fun song to perform.
Another example of a translation from guitar to piano. Then there is a break in the dance again when the piano has its little interlude.
How to navigate this site: April Phillips April 5, at Very subtle and a eo final note from her. I really can imagine a woman in a sea of bullfighters. Newer Post Older Post Home. It was so nice to hear it performed by such an expert vocalist.
The Links and Lbradors below should be helpful in finding what you are looking for. As is the case with all of Teresa Berganza’s performances that have been shared, she has an amazing expressive power and genuine performance persona that is impeccable.
It is such an effective performance. Dylan Bunten April 9, at 9: I really love the rhythmic qualifies in the piano, and how they are mirrored in the vocal line.
I wonder vkto the quickly repeated notes that are so difficult on the piano are an example of “punteado” as was described by Kimball in the reading. And I really like Teresa Berganza’s facial expressions and body language in here. For the time being, the topics are organized according to geographic locations. The guitar figures are apparent in the piano accompaniment. All materials found here are for educational purposes only. This really highlights the fact that the guitar is so important to the entire Spanish Art Song genre.
How exciting when the images are so clear from listening to a piece. From the “no, no” to the fiesty “Ay!
Song Lied Mélodie: “El vito” by Obradors
I want to learn this piece! It was playful without feeling affectated. That was immediate impression I got after hearing this recording. Emma Lynn April 8, at 5: Brooklyn April 7, at