JAZZ REHARMONIZATION PDF

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A good way to begin working on basic reharmonization is to practice harmonizing a tune and coming up with a different chord for every note of. My book Jazz Ear Savvy begins by asking you to play Happy Birthday starting on random notes. It’s the most basic exercise to strengthen your. Reharmonization techniques are useful in many ways in Jazz both in improvising and arranging. In this video I will go over 5 reharmonizations.

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The A7 in bar 11 is just the five of D7, which is in turn the five of G7, which of course is the five of our home chord C7. In jazz, the term is typically used to refer to the process of reharmonizing some or all of a tune, whereby an existing melody is refitted with a new chord progression.

This page was last edited on 17 Januaryat Art Tatum was a pioneer of reharmonization, and later on John ColtraneMiles Davis and Bill Evans were among the first to seriously explore its possibilities, and since then the technique has become an essential tool for the jazz musician and jazz arranger. This site uses cookies. Thad Jones sometimes uses this type of substitution in his big band writing. Here are the basic chord changes and melody as you would see in a lead sheet: With the concepts of reharmonization, you can take this song and make it better, creating a complex and interesting structure.

The chord progression below is common in many styles of music. One of the most common techniques in jazz reharmonization is the use of substitute chords, through a technique known as tritone substitution. This technique is based on the fact that the third and seventh degrees of a dominant chord are enharmonically the same as the seventh and third degrees of the dominant chord a tritone away.

With the utilization of chord progressions. A bar blues song is a very short journey, but a sonically satisfying one because it uses the principle of tension and release. The F note resolving to E is less important, so a logical chord to precede G7 is one that has the tension note F while maintaining the consonant note C.

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How to Reharmonize a Song – Reharmonization – The Jazz Piano Site

Jaz well, a number of improvisers have used planing effectively, typically as part of a progression. Bars are a long resolution to F, and starting with the F minor we can see a string of guide tones that all stem from our original G7. This concept was very innovative for the jazz world, to the point that Tommy Flanagan was unable to properly improvise on the original ” Giant Steps ” recording.

This was just an idea. Given all this, we can justify writing pompous progressions like this next one. We would have then: This topic will emphasize this point, showing how the melody is the flagship and what we can create of harmony in it. Randy Felts has been a professor of jazz harmony at Berklee College of Music for over twenty-five years.

Consider that, even some extensions mischaracterize some chords depending on the contextany extension can be useful as surprise factor, since there is no impact with the melody. Retrieved 19 July Where the five of F is C7, the sub five of F is Gb7. The well conceived drills will clamp these harmonic techniques firmly to every student, and the many musical examples put together the musical jigsaw. See the examples below:.

The planed chords can be further embellished: For my level the examples are very useful. We can see in the example below that there are only three distinct chords, C F and G. Think then that a song was created with the following chords: With the substitution of the used Greek Mode. This reharomnization a basic tenet of jazz reharmonization: G D Em C A first idea that we could have to this song it would add the seventh in each one of the chords, making tetrads instead of triads.

A sole minor seventh or seventh chord can be perceived as a second jzzz or its dominant quality substitution, in which case a fifth may follow. The next resource of reharmonization will be analyzed in the second part of this topic chord substitution. Try to do the least movement as possible with your fingers in each change of chord.

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Reharmonization Techniques

Typically, a melody is reharmonized to provide musical interest or variety. We know that our two important notes in G7 are the third B and the seventh F. This way of working backwards from a target chord can be a good way to renarmonization interest and color to an otherwise simple chord progression.

As opposed to the classical approach to tonal harmony, in jazz there are only three functions: Clawing at the Limits of Cool. It is interesting that you think in extension notes considering this.

Berklee Online Study Berklee’s curriculum with Berklee Press authors and renowned faculty in an intimately sized class of like-minded musicians. This method rehaarmonization nothing more than adding notes to the chords in the song.

Jazz reharmonization and the blues | Noteheads

We have to search for notes which are near, that move teharmonization fingers a little. It is also imperative for jazz bass players to know how this works and what it sounds like, in order to better accompany a band. Backup band Musical ensemble Orchestra Pit orchestra Rhythm section. This kind of reharmonization mostly requires alteration of the original melody because of the frequent modulations [ citation needed ] and therefore, becomes “reharmonization of the changes ” rather than the classic concept of re-harmonizing the melody.

Now we can merrily sprinkle new chords into our original blues progression, adding color and interest without losing our sense of tonality.